DownTown Mystic Presents The Album ‘The Wish’
If you’re a classic rock fan, this album we’re about to discuss is made for you. veteran American rocker Robert Allen’s ongoing musical project, Downtown Mystic, returns to the roots of rock n’ roll with their latest release, The Wish.
This 12-track album that blends classic rock with a modern, soulful touch. Each track is packed with emotional songwriting, nostalgic tunes, and polished craftsmanship.
https://open.spotify.com/album/4pxK7bYvtKkYiWQp1Q93ND
The album kicks off with the title track The Wish, a classic rock ballad that pays homage to the work of artists like Bruce Springsteen and Bryan Adams. With its dreamy instrumentation and slow-burn vocals, it feels like a long walk down memory lane.
The rhythm and percussion sections on this track are done immaculately, thanks to the work of veteran drummer Steve Holley and guitarists Gary Tallent and Max Weinberg. The musicianship on the opening track perfectly sets the tone for what’s yet to come.
1) The Wish 3:56
2) One Step Closer 2:57
3) Better Day 3:19
4) One More Chance 4:35
5) Shade of White 2:37
6) Tomorrow’s Clown 3:17
7) Love Light 3:58
8) History 2:50
9) Modern Ways 3:13
10) Some Day 5:13
11) Lost and Found (Bonus Track) 3:24
12) Read The Signs (Bonus Track) 4:01
But the cool thing about this album is its unpredictability. The second track, One Step Closer, immediately switches genres to an 80s pop-rock vibe. Each step of the way, you find new layers of Downtown Mystic’s creativity as they span the subgenres of rock n’ roll.
But the track that really caught my attention was Shade of White, which could’ve easily passed as an Elvis hit in the late 60s. The swinging guitar riffs transport you to the golden days of rock n’ roll, making for a truly nostalgic experience.
The album’s strength lies in its emotional range. Love Light is sunny and optimistic, while tracks like Tomorrow’s Clown dig deeper, carrying the kind of emotional weight that leaves you thinking long after the last note fades.
Some albums feel like a collection of good songs, but The Wish feels like a story. It’s clear that Downtown Mystic isn’t just writing music—Allen is reflecting on life, love, and everything in between. The instrumentation is crisp, the lyrics are thoughtful without being preachy, and the production has that warm vibe that’s hard to fake.
Whether you’re a fan of Tom Petty, The Rolling Stones, or just rock music with a heart, this album delivers. The Wish might be steeped in retro influences, but it’s not stuck in the past. It brings a timeless quality that feels surprisingly rare these days.
ONLINE:
https://downtownmystic.net/
https://www.facebook.com/DTMystic
https://www.instagram.com/downtownmystic33/
https://open.spotify.com/artist/19VD3b7cxZuylUNNUP9sdm
‘The Haas Company Vol 3 Presents Song For Mimi Featuring Samuel HÄLLKVIST’
If you’re a fan of good jazz fusion and the finest experimental rhythms around, then look no further than ‘Song For Mimi’. Steve Haas is on drums on this album and he is also the founder of The Haas Company and executive producer on this new release. Steve’s deep love for modern jazz and inventive rock inspired him to start up this company. ‘The Haas Company Vol 3 Song For Mimi’ is stacking up to be one fine record where extreme originality reigns supreme.
Swedish guitar sensation Samuel Hällkvist is the featured artist on this album who handles electric & acoustic guitars. All material on ‘Song For Mimi’ was composed, arranged and produced by keyboardist Pete Drungle with help from his longtime friend & collaborator Steve Haas. Drungle plays Rhodes, Moog Odyssey, Mini Moog, various synths and acoustic piano on the new album. Rounding out the musicians we have: Sean Lennon on guitar & bass atmospherics, Kirwan Brown and Guy Pratt (of Pink Floyd) on bass and violinists Jerry Goodman (famed for his work with the Mahavishnu Orchestra), Nicolas Draps, Todd Reynolds, Robert Wechsler, Mark Feldman, and Scott Tixler. Together, these esteemed artists have created a piece of work that is nothing short of spectacular with ‘Song For Mimi’.
Drawing from the classic 70s fusion era, this record explores those aspects while also incorporating new & innovative approaches to music making. The album starts off strong with “Aphelion” that is simply jazz fusion at its finest. The thrill is real as electrifying grooves will leave you wanting more on “Aphelion”. Get ready for mesmerizing chords, memorable notes and an out-of-this-world sound on “Shaguzo”. Next, the listener will be subjected to a colorful performance that really POPS on “In Cologne”. Stellar instrumentation can be heard and played with such finesse as “In Cologne” is musical mayhem done right. The musical ensemble is soaring high and kicking it up a notch on the following number “Smacky McBrown”, which proves to be a rock-solid recording. An intriguing melody draws you in on “Country Cousin” where a sense of wonder floats past your ears. “Country Cousin” offers plenty of depth musically and is rich in substance. Take a stroll down the “Tokyo Sidewalk” where this composition is taking off with one sturdy beat and a vast universal sound that surrounds you. The ensemble is in full control and groovin’ to the MAX on “Tokyo Sidewalk”. The title track is on deck and “Song For Mimi” is beautifully orchestrated with a wonderful arrangement in place. “Song For Mimi” truly speaks volumes from a performance standpoint where the instrumentation is flawless. Get ready for an enjoyable ride that will have you on the edge of your seat on “Last Song”. Excitement is certainly in the air where “Last Song” is igniting your senses from beginning to end. The Haas Company closes out with authority on “The 1970’s” where the full band is bringing everything to the table and not leaving any musical stone unturned. The energy is off the charts on “The 1970’s” and the audience will receive a fulfilling & entertaining finale.
Released under Psychiatric Records & Tapes LLC, ‘The Haas Company Vol 3 Song For Mimi Featuring Samuel Hällkvist’ is a high-quality record that deserves major recognition. With creative solos and masterful playing, this album has something for everyone. ‘Song For Mimi’ has been referred to as “a fusion classic of the 21st century” and I concur with that statement.
https://thehaascompany.com
https://samuelhallkvist.com/
By Jimmy Rae
Stephen Jacques Presents ‘Native American Sweetness’
The language of music transcends race, nationality, and language, serving as a powerful tool that can bridge cultures. While there’s still a long way to go to make amends, Stephen Jacques’ Native American Sweetness is a touching apology to the Native Americans who lost their lives and land to colonialism.
With his thirteenth studio album Pioneers and Fragrant Flowers, Stephen Jacques transports the listener to the American frontier era. While Stephen is no stranger to experimentation, this album is a significant step out of his comfort zone and pushes the limits of expression in the alt-rock genre.
STREAMING: (Bandcamp)
https://boxofmoxie.bandcamp.com/track/native-american-sweetness
Native American Sweetness is the most touching and emotional song on this album, and begins with praise for the beautiful Native American land, complete with golden corn fields and blue skies before “the white man slowly took the land”.
The soaring chorus decrying the industrialization and greed that followed the settlements is filled with both passion and powerful musicianship. The harmonies formed by Stephen’s gravelly tenor together with Jennifer Hall on backing vocals adds an intensity to the song that is fitting of its subject matter.
Stephen does not hold anything back with his songwriting on this track, opting to speak directly instead of sugarcoating the reality of the frontier. He lashes out at the cowards, fools, and greed that decimated the local civilization. Even though he doesn’t tell a story, the picture painted with his hard-hitting lyrics carries imagery as strong as any tale.
The lyricism of Native American Sweetness is perfectly complemented by Stephen’s composition. The track contains two beautifully melodious guitar solos that serve as an outro to the emotionally heavy chorus. Meanwhile, the verses are supported by soothing guitar accompaniments that set the vibe of the American wild west.
Spotify Album Pre-Save LINK:
https://show.co/sDrtSDJ
Native American Sweetness is the kind of track that only an artist of Stephen Jacques’ maturity could have pulled off. It is sad while it is beautiful. It is apologetic while being honest. And while its message is political in nature, it speaks to the humanity deep within us instead of partisan differences.
WEBSITE AND SOCIAL MEDIA LINKS:
Website: http://www.boxofmoxie.net
Facebook: https://www.facebook.com/boxofmoxie.net
X: https://twitter.com/jacquesstephenr
Instagram: https://www.instagram.com/stephenjacquesmusic/
Soundcloud: https://soundcloud.com/stephen-jacques-429639698
Floryence Presents ‘Mallard Cafe’
Milwaukee-based one-man-band artist Jared Gibson is set to make waves this year with Mallard Cafe, his debut EP under the pseudonym Floryence. This 5-track collection is a delightful mix of indie rock bangers that explore the themes of heartbreak, yearning and emotional turmoil.
The EP starts off with Coffee Grinder, which tells the classic story of an awkward guy who winds up in a borderline abusive relationship with a girl seemingly out of his league. The melodic variations of this catchy track perfectly match the way its protagonist gets “turned inside out, upside down and all around” by the lady he’s pursuing.
But the highlight of this release for me was the second track: Ducks. The refrain that goes “you won’t miss me tonight”, coupled with an infectious guitar riff and punchy snares makes for a tune you just can’t get out of your head.
If you’re wondering where ducks come into play, your guess is as good as mine – But that seems to be a common theme across this EP. Mallard Cafe is a production meant to be enjoyed, not deconstructed and critically analyzed.
The next two songs take on a more mature and serious tone, with Tailing Happiness using driving as a metaphor for the aftermath of a heartbreak. Floryence’s songwriting on this track is exceptional, as he uses the vivid imagery of veering off lanes and feeling the impact of an airbag to convey his emotional turmoil.
They say the final stage of grief is acceptance, and that’s the conclusion we get in In another life, Mary Jane. He comes to terms with the fact that their love was never meant to be and imagines what could have been if things went differently.
TRACKS
1. Coffee Grinder
2. Ducks
3. Tailing Happiness
4. In Another Life, Mary Jane
5. Potato Sack Race
This track moves away from the pop-punk sound of the ones preceding it and opts for a synth-heavy pop sound similar to Vampire Weekend. Floryence demonstrates that he’s open to playing around with different styles and has the skills to pull it off as well.
And that brings us to the album’s conclusion, Potato sack race, which returns to a more upbeat indie rock sound. The wordplay on this track is just incredible, with my favourite line being “I’m in a potato sack race with my broken two left feet”, which perfectly captures the disoriented sensation that lasts days following a messy breakup.
These 5 tracks blend together to form a complete narrative, almost like a concept album. The planning, production and composition tells you that while Floryence is a debutante, he is certainly no amateur. This EP was an absolute joy to listen to and I can’t wait to see what this young talent produces next.
https://www.instagram.com/floryenceband
Stephen Jacques Presents ‘Fragrant Flowers’
I’ve always been fascinated by Stephen Jacques’ unique approach to lyricism. His storytelling style uses vivid imagery to conjure a landscape in your mind instead of relying on narration – a technique he employs with great effectiveness on his latest release and thirteenth studio album: Pioneers and Fragrant Flowers.
https://boxofmoxie.bandcamp.com/album/pioneers-and-fragrant-flowers
With his earlier twelve releases receiving airplay on over 300 radio stations and podcasts, Stephen is no stranger to the world of music. This new release builds upon his already impressive catalog by going back in time to the American frontier in the 1800s.
The album’s lead single, Fragrant Flowers, wastes no time in setting the stage for the album as Stephen dives right in with his first verse on the Dakota wagon train, travelling through prairies with fragrant flowers under the blazing sun.
Together with the gentle strumming of his guitar, Stephen’s husky voice is perfectly suited for this alt-rock track, as I found myself feeling the same sense of opportunity that the American pioneers would have experienced.
But Fragrant Flowers is quick to snap you out of this reverie, as it dives into the harsh reality of life as a settler. The track paints a picture of how war was commonplace on the frontier, and you never knew when your wagon train would find itself amidst a battlefield.
While we’ve come to expect poignant and reflective songwriting from Stephen, the musicianship on this track takes an already strong performance to the next level.
Stephen’s production achieves a delicate balance between polished modern alt-rock and the organic authenticity needed for historical storytelling. The arrangement builds thoughtfully, as the electric guitar weaves in and out of the foreground to add intensity where it is needed.
The gentle acoustic perfectly complements Stephen’s vocals, adding depth and complexity to the track. This refined composition is a reflection of not only musical talent but also the performers’ experience and maturity.
Fragrant Flowers doesn’t sound like your standard pop hit, and it’s not meant to either. This is the kind of music that speaks to your soul and inspires deep reflection. When you listen to this song, don’t overthink it. Just close your eyes and let yourself be transported to a time and place long gone.
WEBSITE AND SOCIAL MEDIA LINKS:
Website: http://www.boxofmoxie.net
Facebook: https://www.facebook.com/boxofmoxie.net
X: https://twitter.com/jacquesstephenr
Instagram: https://www.instagram.com/stephenjacquesmusic/
Soundcloud: https://soundcloud.com/stephen-jacques-429639698
Laura Cheadle & The Girls Releases “Make Me Go Crazy”
I consider Laura Cheadle to be one of the hardest working women in the music business! Laura has been grinding away for years on the scene and she has continued to evolve as an artist. She now fronts an all-girl band and so Laura has once again reinvented herself by bringing something fresh to the forefront. Laura Cheadle & The Girls is a powerful group with a Pop/Soul twist and this female unit is most certainly making waves!
Fronted by Laura Cheadle on lead vocals & guitar, The Girls are also Laura’s wife, Michelle, on bass & guitar along with East Coast drummer Emily Roane and West Coast drummer Kristyn Guernica. Playing for the sake of the love for music and for strong women everywhere, Laura Cheadle & The Girls can best be described as a united front that contains fun-filled energy and positive notes.
“Make Me Go Crazy” comes from a special and intimate place as Laura and Michelle wrote this song about someone driving you crazy but in a good way. The track tackles relationships and in particular Laura and Michelle’s loving embrace as a couple. This is a subject matter that is heavily relatable to many listeners when it comes to that special someone in a person’s life. I instantly think of my wife, Heather, and how I couldn’t imagine my life without her no matter what craziness surrounds us. I commend Laura Cheadle and Michelle for writing a song that the general public can connect with on many levels.
As soon as I hit play, the overall sound does “Make Me Go Crazy” with joy due to the likability factor of the song. I am hearing a smooth-as-ice groove and distinct rhythm that is like ear candy. “Make Me Go Crazy” provides an incredibly catchy hook that has mass appeal. I am feeling this track in a BIG way as Laura Cheadle & The Girls makes joyful noise that sticks to you like Elmer’s Glue. This powerhouse group is in the zone and in total control from start to finish on “Make Me Go Crazy”. Laura Cheadle & The Girls jams out like there is no tomorrow with one hot mix that is FIRE!
“Make Me Go Crazy” drops May 7 and I sense this track will get major traction with fans old & new flocking to the infectious vibe that engulfs you. Currently on a major tour, Laura Cheadle & The Girls looks to gain new followers with this new single. Laura Cheadle has many accolades under her belt and has accomplished so much as a hard-working musician. I feel Laura is just getting warmed up as Laura Cheadle & The Girls sets out to take the world by storm. “Make Me Go Crazy” will entertain you with its feel-good melody and healthy sound.
By Jimmy Rae
Maya Mendez Presents ‘Have Your Fun’
LA-based singer-songwriter Maya Mendez steps into the spotlight this year with her debut single “Have your fun”. This single channels the emotional depth and grit of early 2000s R&B, with unflinching honesty and vulnerable vocal delivery reminiscent of Keyshia Cole’s early work.
In Have Your Fun, Maya recalls her experience in an abusive relationship, using her art as a medium to speak up about what she went through. This work is not just another story set to music, but a transformation of Maya’s trauma into a cathartic emotional release.
When I was listening to the chorus, it was tough to believe that I was hearing a debuting artist. Maya’s prowess as a songwriter was evident as she had nailed the art of telling a story with a few words.
“Leave me on your bedroom floor I’m crying
Disregard what’s said I can’t keep fighting
You’re not listening, I’m just pretending
Oh it’s getting old, have your fun I’ll do what I’m told”
She only needed to sing about a single moment of conflict. But yet, it perfectly captured the helplessness of being with an emotionally unavailable partner. You try to fix the relationship, you try to fix him, but eventually it wears down your soul until all you can do is cry and do what you’re told.
Maya’s formal training as a musician at LA Valley College really shines through not only in her controlled vibrato and pitch variations, but also in the overall composition. There’s nothing virtuosic going on here – but the measured, powerful and elegant vocals beautifully weave her story of heartbreak.
Even though her experience is not a happy one, Maya is not helpless either. In the verse she sings:
Pack your bags and you’re out don’t look back
I’ll be stuck here I’m learning what you taught
Meaning that she eventually summoned up the courage to kick her lover out. Listening to this section, I really enjoyed Maya’s ability to switch moods in her music, alternating seamlessly from power to despair as her narrative progressed.
The production on this song is also top-notch, with especially the panning and reverb standing out to me as being really well done. Having this much attention to detail tells us that Have Your Fun isn’t a one-off project and that Maya is serious about her musical journey.
In today’s commercial landscape, polished production often trumps raw emotion. However, Maya Mendez’s authentic approach positions her perfectly to stand out. Her honesty and willingness to confront her past are a bold statement of her artistic identity.
If this debut is anything to go by, we can be sure to expect great things from this young artist in the future.
ONLINE:
https://mayamendez.net/music
https://www.instagram.com/mayamend3z
https://www.tiktok.com/@mayamend3z
Austina Lee & Gareth Dylan Smith Tackle Beethoven Sonata No. 8 in C Minor Opus 13 “Pathétique”
Austina Lee and Gareth Dylan Smith revisit a classical composition by Ludwig van Beethoven and add a new spin to the timeless piece. Lee is on piano and Smith is on drums making this an incredibly unique arrangement of Beethoven Sonata No. 8 in C Minor Opus 13 “Pathétique” (https://www.youtube.com/watch?v=2iVe4guFpEE). Prepare to reimagine this Beethoven number like you’ve never heard before thanks to Lee and Smith’s artistic vision.
This work was arranged by Austina Lee and Gareth Dylan Smith, recorded by Andrew Lawson at Fieldgate Studio and mixed & mastered by Max Liebman. A special shoutout to Boston University College of Fine Arts with this new composition being released under Anthrophonic Records. Besides being talented musicians, both Lee & Smith are also educators. Austina Lee has a background in performing and teaching music in a range of styles. Her research interests include punk pedagogies, pedagogy of love and improvisation in music. Gareth Dylan Smith is Assistant Professor of Music at Boston University. These musical scholars have taught us an important lesson and that is that greatness can be repeated and reimagined. Beethoven Sonata No. 8 in C Minor Opus 13 “Pathétique” is a work of art!
Lee & Smith are breathing new life into this classic Beethoven number by giving the audience a refined and classy performance. These new-age maestros are going in a creative direction to create a new & tasteful take on the original. Lee & Smith offer up an intriguing and exhilarating melody & tempo that captures your attention & imagination. Whether this duo slows things down or speeds things up musically, Lee & Smith can do no wrong with a spotless arrangement. Lee & Smith are doing this classical composition major justice and in the process making a believer out of me. I think Ludwig van Beethoven would be smiling down with pure joy knowing that his masterpiece is in good hands.
The music of Beethoven lives on thanks to Lee & Smith’s thoughtful and inventive interpretation. Beethoven Sonata No. 8 in C Minor Opus 13 “Pathétique” brings a newfound tone & spirit to the mix. By highlighting the piano and drums on this version, listeners can now experience a newfound appreciation for the work of Beethoven. Austina Lee & Gareth Dylan Smith honor and respect a classical genius while also putting their own stamp on Beethoven Sonata No. 8 in C Minor Opus 13 “Pathétique”. The end result is magnificent and deserves a standing ovation…BRAVO!
https://www.instagram.com/austina_lee/
https://www.instagram.com/gareth_dylan_smith/?hl=en
By Jimmy Rae
Jaded Truth Presents New Album ‘RX2’
Jaded Truth presents their latest album called ‘RX2’. The Canadian trio astonished and stunned the alternative rock scene with a heavy and long-standing record on April 25, 2025. ‘RX2’ is filled with an appealing amount of substantial and impenetrable work of art, while staying contemporary and creating a soundscape of heavy rock. Somewhere in between Grunge, Metal, Punk, and shoegaze influences, ‘RX2’ manages to stay original, bewildering, unique, perplexing, and proves to create a wild and fast dimension of its own.
Jaded Truth’s ‘RX2’ is quite simply a sequel to their 2020 debut album called ‘RX’. Their new work is an audiovisual storytelling, examining the themes of self-destruction, control, and addiction. The first track on ‘RX2’ is called ‘Conjecture’, and it’s an experimental instrumental drenched in heavy guitars and enormous drumming. The second track is ‘The Speech (skit)’ and it’s quite reminiscent of a Punk show taking place down in the dangerous and edgy streets of Downtown L.A. The album continues with the third tune called ‘Corporation’ which is another threatening and menacing piece of work. This track may just remind the listener of
Soundgarden’s early days in the 90’s. Badmotorfinger? Maybe. The lead single ‘Reporix’ is one muddy, Alice in Chains-like vocals and riff driven tune creating a fearful setting. With tunes like ‘Shake the Feeling’, ‘90 Second to Midnight’, and ‘Something We Don’t Know’, Jaded Truth establish themselves as one of the most important rock bands today.
Jaded Truth continues to sculpt out their own distinctive empire in the rock scene. ‘RX2’ stands as an exemplification to the band’s ability to intertwine classic influences with a modern and victorious sound. ‘RX2’ is out now and it promises to be a sensational and extraordinary album for all alternative rock enthusiasts.
https://music.apple.com/us/artist/jaded-truth/1496721768
https://www.facebook.com/Jadedtruthofficial/
https://instagram.com/jadedtruthofficial
https://www.youtube.com/channel/UCOXBMKYt4Xbcc_jvIgsTvHQ
https://www.tiktok.com/@jadedtruthband
Unity Quartet Releases ‘Samba of Sorts’
With elements of samba, forro and bossa nova, Unity Quartet delivers a masterclass performance with the new release titled ‘Samba of Sorts’. This is a refreshing jazz record that combines traditional and new-age styles making ‘Samba of Sorts’ a must listen! Unity Quartet looks to attract listeners worldwide with highly original compositions that pack a flavorful punch!
Unity Quartet is comprised of four members and they are: Helio Alves on Piano, Guilherme Monteiro on Guitar, Gili Lopes on Bass and Alex Kautz on Drums. All musicians have Brazilian roots, which brings a special sort of spice to the table on ‘Samba of Sorts’. This project originated in 2021 where original music and select covers came to light. The result was ‘Samba of Sorts’ where Unity Quartet played from the heart with a deep love for jazz music and Brazil.
On the opening track, “Viola Violar”, the audience will receive an easy-listening, calming sensation with superb instrumentation. With an excellent selection of solos throughout the recording, Unity Quartet is swingin’ for the fences right out of the gates on “Viola Violar”. Next, prepare for a relaxing dose of jazz that you can enjoy with a hot cup of tea or chilled glass of wine on “Lucena”. Unity Quartet is in the zone and playing like true champs on “Santo Antonio” where everything seems to be clicking. Get ready for a “Frenzy” as Unity Quartet is jammin’ & jivin’ without hesitation. “Frenzy” really POPS and is full of energetic spirit that will attract a wide audience. Track five, “Pau De Arara”, offers up BIG, bright notes to go along with a fine arrangement and great finesse. An inviting melody draws you in on “Jogral” and this number will instantly perk up your senses. The title track, “Samba of Sorts” is on deck and it’s clear that Unity Quartet is shooting for the stars. Everyone seems to be in sync on “Samba of Sorts” as Unity Quartet delivers a crowd-pleasing performance. This musical unit is going out in style and on a soothing note on “Paloma Plage” where one will experience a polished production overall.
Unity Quartet has created a jazz record that has much depth and infectious rhythms. ‘Samba of Sorts’ is a labor of love for all members while incorporating their deep love for Brazil and jazz music, as a whole. There is a good balance of innovative sounds and traditional styles making ‘Samba of Sorts’ one stimulating listening experience. Unity Quartet honors cultural heritage while also going outside the box, which is the recipe for success with this new album. The creative juices are flowing in full force, so enjoy ‘Samba of Sorts’ by Unity Quartet.
https://www.helioalvesmusic.net/
By Jimmy Rae
Clark Ford ft. Underground Treehouse Present ‘1961 The Musical’ Soundtrack
Clark Ford ft. Underground Treehouse Present ‘1961 The Musical’ Soundtrack
Clark Ford ft. Underground Treehouse present their latest album called ‘1961 The Musical’ soundtrack. Clark Ford and the Underground Treehouse shocked and surprised the world with a wonderful and touching set of songs. ‘1961 The Musical’ soundtrack contains an interesting amount of prepossessing and beautiful sounds, while staying modern and manufacturing a soundscape of comedy-drama. Somewhere in between Traditional Pop, Musical Theater, Rock, Doo-Wop, Blues, Motown, Operetta, Jazz, Big Band, and a Civil Rights March, ‘1961 The Musical’ manages to stay unique, exceptional, authentic, distinguishing, and proves to create a seductive world of its own.
Released on April 23, 2025, ‘1961’ The Musical’ contains 19 magnificent and tremendous tracks which were recorded and produced by Underground Treehouse Studio, Nashville, Tennessee.
Inspired by popular genres in 1961, Clark Ford manages to manifest those days and that moment in time. The first track is called ‘I Believe In You’ and it’s a sexy and sensual sounding-like tune. It’s simply a soft and charming creation. ‘Ring The Bell Of Freedom!’ is the second song on ‘1961 The Musical’, and it almost brings emotions similar to those of religious tunes. ‘In His Image’ is an alluring and touching instrumental that complements its astounding and staggering vocals greatly. With tracks like ‘My Day’, ‘Meant To Be’, and ‘Beautiful Bird’, Clark Ford and Underground Treehouse create a breathtaking and bewildering record that will be forever remembered in the listener’s mind.
Clark Ford ft. Underground Treehouse continue to build their own unique space in the musical world. ‘1961 The Musical’ soundtrack stands as an example to the artists’ abilities to blend nostalgic influences with an innovative and successful sound. ‘1961 The Musical’ is out now and it guarantees to be a magnificent and fascinating record for all music enthusiasts.
https://www.facebook.com/clarkfordmusic/
https://www.instagram.com/clarkfordmusic/
https://www.youtube.com/channel/UCK0S_UsdyEMePQoLoQXFH7w
https://x.com/CffordFord/
The Grab Brothers Band Present ‘Traffic Jam’ & ‘Lifetime’
The Grab Brothers Band shows the yin and yang of classic rock with “Traffic Jam” & “Lifetime.” Genres picked with the group run the gamut from glam rock to psychedelic folk pop. Whatever tactic they like, what remains the same is how they let the vocals rest at the center of the sound. Such an emotional rollercoaster, they express wanting to break free from feeling trapped in the Traffic Jam to the sense of peace that comes with the cyclical, soft-spoken Lifetime. Production adds to the appeal, allowing them to feel wonderful.
Immediately, they start with fanfare on the fantastic “Traffic Jam.” The name hints at irony as this is a jam sort of style, with the interplay amongst the band feeling downright liberating. Besides the clear nods to classic rock, psychedelic rock and funk elements filter into the fray. Vocals rest right in the center of the whole thing, allowing a wild, animalistic presence to take hold as the song constantly increases in energy. Soft breezes on the beach define the soothing “Lifetime.” With this track, there is a sense of exploring the entirety of the world in a reserved, respectful manner. Volume is turned down, and the acoustic flair of the guitar becomes readily apparent. Even little flourishes on the edges of the song do not take away from the campfire intimacy of the setting.
Everything in “Traffic Jam” and “Lifetime” shows off the tremendous range of the Grab Brothers Band in delivering this satisfying, soulful slice of rock.
https://www.grabbrothersband.com/
Soak up “Bathwater” by KFIR
Electro-Pop sensation, KFIR, releases the new single “Bathwater” that is bubbling with excitement. “Bathwater” is the featured single off of the upcoming EP that is sure to turn heads. With hypnotic sensibilities in place, KFIR delivers a performance that will get people talking. “Bathwater” will entertain you and make for one, clean listen from top to bottom.
Release Date 4/18/2025:
Written by KFIR and Anthony Fonseca (who also produced the recording), “Bathwater” will revitalize your ears with its fresh vitality. Dubbed “Dark-Pop” by some critics, I don’t sense that from KFIR and this single. I hear songs with club-worthy beats and heavy production with a dash of deep material. This powerful mix created by KFIR has many unique ingredients and so this “Bathwater” feels just right to the naked ear.
As soon as I hit play, I hear an infectious dance hook and one catchy vibe overall that immediately pulls listeners in. It’s time to hit the dance floor and enjoy “Bathwater” with its raw yet refined touch. With a healthy balance of elements and textures, “Bathwater” is the perfect blend of coolness and full-bodied tones. KFIR certainly is heating up with this new release by delivering a refreshing groove that washes over you.
“Bathwater” appears to be at the ideal temperature when it comes to a well-rounded track. KFIR is making a BIG splash here, so allow “Bathwater” to soothe your senses and satisfy your mind. Kfir calls this single “a journey into the mental landscapes that obsession triggers”. Digging deep while also stirring up a dance craze is what KFIR brings to the airspace and in turn will drive the audience wild! Pop and dance never sounded quite like this thanks to KFIR’s extreme creativity as an artist. Only thing left to say is to jump in, the “Bathwater” is fine!
By Jimmy Rae
Rye Catchers Presents ‘Lie to Me’
Rye Catchers presents his latest single called ‘Lie to Me’. The gifted songwriter out of Wisconsin, Brookfield will surprise and astound the music world with a substantial and entertaining track on April 21, 2025. ‘Lie to Me’ carries a good amount of pleasurable emotions and touches, while staying imaginative and building a soundscape of Pop and Alternative Pop.
Somewhere in between Disco, Funk, 80’s Wave, Dance, and Electronic music, ‘Lie to Me’ manages to stay unique, sensational, honest, remarkable, and proves to create an alluring world of its own.
https://www.symphonicms.com/album/view/id/c1a2eb10b8abd1fb40100b8dfaa571ea
‘Lie to Me’ is an Indie Pop single that engages and participates with the idea of differing messages in relationships. Furthermore, Rye Catchers brings to life the reality about how the world would rather hear white lies than face excruciating truths. With ultramodern vocals by Taylor Mathews, the single intertwines temperamental introspection with an optimistic enthusiasm, creating an transmissible yet emotionally resonant vibe.
Rye Catchers’ latest piece of work is drenched in extraordinary and substantial mastering, and producing dexterity. The dreamlike and gentle electronic touch gives the song a late 80’s and early 90’s sensation. The drums contain a crispy snare, hi-hat, well thought fills in, and magnificent cymbal work. The groovy bass, funky guitar, psychedelic keyboards, and the well executed vocals create a glorious and superb single that will keep the listener on its feet. Rye Catchers establishes himself as one of the most compelling and original songwriters today.
Rye Catchers and company continue to sculpt out their own space in the Indie Pop music world. ‘Lie to Me’ stands as a representation of the artist’s capability to blend past influences with an innovative and successful sound. ‘Lie to Me’ is around the corner and it guarantees to be an astonishing and fascinating single for all music enthusiasts.
https://www.instagram.com/ryecatchersmusic/
Ken Holt’s “I Did Not Know” – A Wistful Gospel for the Wisdom of Hindsight
Ken Holt doesn’t just write songs—he etches memoirs into melody. With his new single, I Did Not Know, the Florida-based troubadour continues his timeless excavation of soul, searching the wreckage of love, loss, and what-could-have-beens with the kind of grace that only comes from living through it. This isn’t nostalgia for nostalgia’s sake—it’s a blood-warmed confessional with calloused hands and a heart that’s been through the wringer but still beats hopeful.
Holt, whose rock roots stretch back to MCA-signed outfit The Blend (yeah, they opened for The Who—let that soak in), steps away from the amplified swagger of yesteryear and into something quieter, deeper, and damn near sacred. I Did Not Know is a stripped-down Americana sermon that feels like it was recorded in the front pew of an empty church just after sunset. The production? Barely-there perfection. Guitars hum like lullabies. The groove doesn’t push—it leans in, like an old friend with a sad story and a bottle of something strong.
But let’s talk lyrics. Holt isn’t playing the “ain’t love a bitch” card; he’s holding a mirror to himself. This isn’t finger-pointing—it’s soul-searching. “You disappeared like a ghost who’s been wandering for so long,” he sings, every word wrapped in regret and realness. And that chorus? “I did not know all that I know now.” It’s a mantra for every man or woman who’s looked back and realized they missed what was right in front of them. It’s Springsteen’s Tunnel of Love stripped of arena lights and soaked in southern twilight.
https://www.youtube.com/watch?v=LJlCBiZZz1Y
There’s a poetic ache in the verses—like Townes Van Zandt meditating on fatherhood or Kristofferson unpacking his past over morning coffee. Holt sings not just about lost moments, but about the gap between intention and impact. He worked, he provided, he showed up in ways he thought mattered… but didn’t always see the dreams behind the eyes of the one he loved. And now, the only answer is honesty.
Mary Kate Brennan’s background vocals don’t just harmonize—they haunt. Like an echo of what once was, or maybe the ghost he mentioned in verse one. She adds warmth, yes, but also shadows—a voice from the other side of that hindsight chasm.
This single follows Shine and Holt’s Shades of Light LP, further cementing him as one of Americana’s unsung sages. With a worldview sculpted by seven states, rock stages, and a pulpit or two, Holt’s voice—both literal and lyrical—carries weight. Not the heavy kind that burdens. The grounding kind. The type that reminds you music still matters when it’s honest.
I Did Not Know isn’t trying to be a hit. It’s trying to be heard. And in a world addicted to surface-level noise, that might just make it the most rebellious thing you’ll hear all year.
-Chris Cairns
Patricio Morales Releases ‘La Tierra Canta’
Multi-cultural jazz compositions come to life on Patricio Morales’ new album titled ‘La Tierra Canta’. Classical guitarist Patricio Morales combines his Chilean roots with elements of classical, jazz and world. There is a sentimental value here for Patricio because the nine tracks on ‘La Tierra Canta’ were written when Morales was just starting out as a composer. These compositions mean the world to Patricio and are near & dear to his heart making ‘La Tierra Canta’ a very special and reflective listening experience.
Patricio wrote new arrangements for this album and brought in talented players from Chile, Argentina, Columbia, Brazil and Peru. Members include: Patricio Morales on Classical Guitar, Vitor Goncalves on Piano & Accordion, Sebastian De Urquiza on Upright Bass, Rodrigo Recabarren on Drums and Percussion, Rogério Boccato on Brazilian Percussion, Daniel Zamalloa on Mandolin, Kahil Nayton on*Cavaquinho, Pablo Menares on Upright Bass on Track 3 and Juan Andrés Ospina handling Additional Arrangements on Tracks 1, 3, 8, 9. The final result is just magnificent and a breath of fresh air to hear. With a flawless technique in place, Patricio Morales has created something quite remarkable making ‘La Tierra Canta’ one momentous occasion.
The record kicks off with the title track “La Tierra Canta” and right away a highly-spirited and fan-friendly vibe hits you. Colorful and unique dynamics & textures are present making “La Tierra Canta” a standout single. Next, an appealing beat can be heard on “Armando” and like Gloria Estefan once said “Rhythm is gonna get you”. A solid arrangement is intact as “Armando” comes to light in grand splendor making this composition a pure joy to listen to. “Tale Of Tales” is told next and the aura will intrigue your ears with a worldly mystique that is captivating. Track four, “Canción Para Despedir a Emilia”, offers up a dose of silkiness making this an intimate performance overall. A bit of romance is in the air, so light the candles and enjoy “Canción Para Despedir a Emilia”. The musical canvass is picturesque on the following number “Rural Reflections” as Patricio provides a healthy splash of vibrant tones that will inspire you. Track six, “Pa’Pascal”, contains a playful atmosphere that makes for one fun-filled environment. “Pa’Pascal” is like a carnival of sorts with notes that come in all different shapes & sizes, so come ONE, come ALL! Brace yourself for the next composition titled “de Diciembre” that is an emotional journey filled with the utmost sincerity. Patricio is on track and heading in the right direction on “Realismo Mágico”. “Realismo Mágico” is revealed here that will excite and amaze the audience. The tricky rhythmic pattern will keep you on your toes on “Realismo Mágico”, so be alert folks! Patricio ends on a high note with “Keep In Touch” where the welcoming mat is laid out and the listener will feel a sense of comfort surround them. “Keep In Touch” will keep you dialed in with a creative sound & style that many will gravitate toward.
There is a cinematic quality detected at times on this new release, which makes sense since Patricio does have experience with film composition. Also, the accordion and classical guitar combo is so unique and really rattles your eardrums in a good way. Patricio Morales honors his heritage and memories in a most profound way on ‘La Tierra Canta’.
https://patriciomoralesmusic.com/home
By Jimmy Rae
ParaDyce! Presents “Pacific Coast” (ft. Steve Palmer)
Chilled-out jazz licks with synthesized bliss are woven together on ParaDyce!’s aptly named “Pacific Coast.” Rhythms keep things slow, the way they do things on the West Coast. There is something nice about the gait: it emphasizes the crystal clarity of the sound. Everything works, and the melodic richness shifts from instrument to instrument. By keeping things relatively nimble, the song has this airy disposition that rolls through. For the entire thing, a peaceful meditative state emerges. No word is spoken, nor does one need to, to convey the true contentment that the sound represents.
– https://www.amazon.com/Pacific-Coast/dp/B0DYGK3STZ
– https://music.apple.com/us/album/pacific-coast-feat-steve-palmer-single/1798547286
– https://tidal.com/browse/album/420282850
Artist: ParaDyce!
Song: Pacific Coast
Label: JEG Multimedia Group
Produced by Canadian Producer, Eddie Bullen.
The percussive elements take center stage for the first few moments. From there, the rest of the sound comes into view quite quickly. Bass lines are elegant, allowing the low end to feel almost supportive. Little flourishes here and there add to the tactile quality of the atmosphere. Keyboards have a delicacy, giving the songs this R&B quality. Quite expressive, the elements perfectly fall into place. Almost psychedelic at times, the dreamy, glossy finish provides the track with a sense of the infinite. Interplay amongst all the different moments and the slower rhythm dilates the passage of time, making the song feel eternal. Nods to light jazz, rock, R&B fusion like Steely Dan and G-Funk qualities enter into the fray, giving the piece this thick, immersive atmosphere.
“Pacific Coast” features a tremendous soothing wash with ParaDyce! embracing the softest elements of pop and ambient in this perfect mixture.
SOCIAL MEDIA LINKS HERE:
https://www.reverbnation.com/paradyce7
Facebook: Treasures Of ParaDyce!
TikTok: @prodgaig1_2
Journos Delivers ‘The Burning Question’
What do you get when an award-winning journalist/lyricist and versatile punk-rocker join forces? You get the dynamic duo of Bryan Russo and Ryan Abbott tearing up the underground Indie scene! Fresh off the breakout, debut release of ‘In The Key of WTF!’, Journos is back with a vengeance with ‘The Burning Question’. Journos is continuing the momentum by delivering thought-provoking AND party-style jams.
This new album contains 11 songs and each one has its own unique story. Journos can pick up the pace and slow things down at the drop of a hat. When it comes to ‘The Burning Question’, the answer is to know how to have a good time and throw caution to the wind while also being aware of your audible surroundings. That would sum up Journos in a broader nutshell as this group attempts to tackle ‘The Burning Question’ note by note.
Right from the start on the title track, “The Burning Question”, an infectious groove and catchy hook wraps around you. There is a distinct rawness to the texture of “The Burning Question” that is enticing to hear and I even picked up on an Elvis Costello influence. Prepare for a very cool flow and musical direction on “Nowhere To Hyde” where Journos will get you shakin’ & movin’ like there is no tomorrow. A fan-friendly tone will attract a wide audience on “Exception To The Rule” where the listener will also enjoy a pleasing melody. Next, just let loose and have a blast on “Bootleggers Ball” that makes for one jumpin’ & jivin’ joint. On track five, “Full Salinger”, Journos takes a more serious approach with rock-solid material that is musically rich and speaks volumes lyrically. I detect a punk rhythm and tempo on “Noble Cause”, and this really perks me up and gets me pumped. Journos is in total control from the jump with memorable lines like “Love is still the only Noble Cause”. Journos keeps you guessing from a vocal and musical standpoint on “Be Somebody” where a sense of wonder grabs your attention. There is a nice, little surprise on “Be Somebody” where you get a small taste of the guitar chorus line from “Day Tripper” by The Beatles. Get ready to drink it all in and consume “Brand New Drunk” responsibly. “Brand New Drunk” stumbles into your ears and it’s safe to say that this energetic number is full-bodied and heavy on taste & flavor. Track nine, “Don’t Mind Me (I’m Falling Apart)”, offers an easy-breezy feel and flavorful punch of mojo that makes for a wonderful performance overall. Journos supplies a mellow sensation and more of a somber-like tone on “Pieces of Heart”. Journos is reeling you in with waves of emotion on “Pieces of Heart” and this song is beautifully done with nice harmonies. The dynamic duo is going out with a bang on “Unapologetically Yours” where you’ll just want to throw up your hands, twist, shout and rock out to the sweet sounds of Journos.
Combining elements of indie americana, blues and rock, this album is steady ear candy for listeners. ‘The Burning Question’ is set to be released in 2025 on Bob the Organism Records and heavy anticipation for this record. Take a ride on the Journos side and try to figure out what ‘The Burning Question’ is…if you dare!
https://www.facebook.com/wearejournos
https://www.instagram.com/wearejournos/
By Jimmy Rae
Robert Sarazin Blake with ‘Let The Longing Run Wild & Free’
Robert Sarazin Blake is a talented singer/songwriter who has a knack for storytelling and writing songs that relate. His latest release, ‘Let The Longing Run Wild & Free’, is Robert’s 13th album and it runs the gamut of human emotion. Robert throws in a splash of nostalgic charm and allows the listener to think back and recollect about different times in history. Robert Sarazin Blake can tackle heavy issues, but he is able to break it all down in simple terms. ‘Let The Longing Run Wild & Free’ is like a good book that will hold your attention from beginning to end.
This record was produced by Robert Sarazin Blake and features longtime collaborators Cindy Cashdollar on steel guitar, Connor Kennedy on guitar, Lee Falco on drums, Brandon Morrison on bass and Will Bryant on piano & organ. You will also hear Joel Ricci on the trumpet on the track, “Happy Halloween”. Robert and his team have created music that has spirit and evokes many feelings throughout the 8-song set.
As soon as you hit play, the listener will pick up on Robert’s conversational tone on “New York City/Brooklyn Bridge”. Blake tells a vivid story that connects with the general public on “New York City/Brooklyn Bridge”. Next, a slow & draggy pace slides past your ears on “Louisiana” and this tune packs quite a punch musically. Track three, “Disappear”, Robert draws you in vocally & lyrically and captivates you with one strong delivery. Robert Sarazin Blake is singing straight from the heart on “Stayed” and gives a soul-stirring performance that speaks volumes and truly hits you. Robert is drifting along carefully and inviting the audience to take a fruitful ride and to not look back on “Drift”. We are crossing “Bridges” next and everything appears to be sturdy and well-constructed. “Bridges” contains rich substance and makes for one safe & insightful excursion. Track seven, “Listened To You Sing”, peaks your interests and sparks your curiosity immediately. Robert Sarazin Blake has a way of pulling you in with his unique vocal style and displays this approach perfectly on “Listened To You Sing”. Robert ends with a haunting sound on “Happy Halloween” that will leave a lasting impression on the listener.
Robert has toured extensively throughout the United States and abroad and has been a mainstay in the Pacific Northwest since 1996. Roots and folk unite in harmonious fashion on ‘Let The Longing Run Wild & Free’. Robert Sarazin Blake uses his musical canvas to paint colorful notes and gripping verses that appeal to the masses. Add ‘Let The Longing Run Wild & Free’ to your personal playlist now; you won’t regret it!
https://robertsarazinblake.com/
By Jimmy Rae
Professor Louie & The Crowmatix Release ‘Crowin’ Around’
Professor Louie & The Crowmatix is a jam band for the ages bringing a sound and style that is refreshing and invigorating. ‘Crowin’ Around’ is the 18th album for Professor Louie & The Crowmatix and the band has toured the world extensively for over 25 years. Combining elements of rock ‘n’ roll, blues, folk, gospel and jam-band, Professor Louie & The Crowmatix throw everything at you with the kitchen sink included!
‘Crowin’ Around’ is meant to be inspirational, upbeat and uplifting and this group nails it and checks all the boxes in those categories. The record includes 11 songs and each one different from the next. Professor Louie himself has a long history with the one and only The Band collaborating with the group for 17 years. Professor Louie co-produced, engineered and performed on The Band’s final three albums and was a touring member from 1985 to 1999 until Rick Danko’s passing. Rick Danko is actually the person that coined the name Professor Louie and the rest is history! The Band’s influence can most certainly be heard on the new release and so Professor Louie & The Crowmatix is seriously ‘Crowin’ Around’ and giving the fans what they want. Professor Louie & The Crowmatix includes Professor Louie on vocals, keys and accordion, Miss Marie (recorded with Levon Helm, Rick Danko, Garth Hudson) on vocals, percussion and keys, Frank Campbell (Levon Helm’s MD with the Woodstock All-stars) on bass and vocals, John Platania on guitar and vocals, Todd Mihan on guitar and vocals and Dan Hickey (They Might Be Giants) on drums.
The album kicks off with “Elevate Yourself” that has so much energy and is such a lively set from start to finish. You will clap along to the finger-snappin’ beat on “Elevate Yourself” as Professor Louie & The Crowmatix has got you hook, line & sinker and it all sounds oh so good! We’re jivin’ along and about to have “Too Much Fun” next, so just get up and dance! Good times and good vibes make “Too Much Fun” the ideal choice for your listening pleasure. Track three, “Monday Boogaloo”, moves along nicely and will get you moving as soon as you hit play. We’re steppin’ up and steppin’ out to “A Million” making this song a valuable source of enjoyment with excellent musical direction. “Johnny” is the center of attention on the following number and highlighted wonderfully by Professor Louie & The Crowmatix. It’s all about “Johnny” here, so just live and let live! Track six, “Bird’s Lament”, is an instrumental with an intriguing melody and instrumentation that will light up your ears and spark your senses. A cool atmosphere wraps around you on “Rag Mama Rag” where it’s time to cut loose and leave your worries at the door. “Steadfast & True” is up next and this is simply a gem of a song with golden lyrics that truly stand out. “Steadfast & True” supplies inspiring lines like “We’re all brothers, all sisters too” and “Stand up for eachother, what a family will do”. A jumpin’ & jivin’ joint is rolling your way with “Stick To The Plan” where the toe-tappin’ rhythm will get you pumped up and bring you much joy. Next, a bluesy tone is hitting you hard on “Watch The River Flow” where the listener will be fully engaged to every single note & lyric thanks to a commanding performance overall. Professor Louie & The Crowmatix gives you “A Different Christmas” to end the album in a spiced-up fashion. The listener receives “A Different Christmas” cheer with a jam-band twist that’s packaged very well.
Professor Louie & The Crowmatix came to play and entertain, and I feel this band will be ‘Crowin’ Around’ for a very long time. Professor Louie and Miss Marie have written and published over 100 songs to date and this recording should receive a gold star of excellence for its fine songwriting. The performances will move you and get your blood pumpin’ as Professor Louie & The Crowmatix brings the groove in full force on ‘Crowin’ Around’.
https://www.woodstockrecords.com/
By Jimmy Rae
