“Ghosts & Girls” by B.D. Gottfried

B.D. Gottfried has finally released his first new project in three years called “Ghosts & Girls,” and let me tell you, it’s been quite the unexpected journey to tackle. I’ll be honest, I’m not usually one to dive into the world of modern rock music, but there was something about the allure of this album that drew me in from the get-go. 

From the moment I pressed play, I found myself completely captivated by Gottfried’s hauntingly deep voice. It’s like nothing I’ve ever heard before – raw, emotive, and filled with a sense of melancholy that cuts straight to the core. Tracks like “Warbird” and the lead single “Two Worlds” hit me like a ton of bricks, with their powerful storytelling and infectious melodies paired with somber instrumentals and astonishing production. I couldn’t help but get swept away by the sheer emotion and intensity pouring out of each note.

What really struck me about “Ghosts & Girls” is its ability to transport you to another time and place. Whether it’s the haunting echoes of ancient battles in “Warbird” or the clash of cultures in “Two Worlds,” each track feels like a window into a different world. It’s like I’m stepping into a movie or a novel, with Gottfried as my guide through the twists and turns of history.

But it’s not just the storytelling that’s impressive – the musicality of this album is off the charts. Gottfried’s fusion of indie folk and Americana with moody production that feels almost inspired by Nine Inch Nails if they made an ambient album creates a sound that’s both timeless and contemporary, with just the right amount of edge to keep things interesting. The instrumentation is rich and textured, weaving together layers of instruments to create a sonic tapestry that’s as intricate as it is immersive.

https://open.spotify.com/album/71SmhC2vbEwgJMQTJvdnbA

And let’s talk about those standout tracks for a minute. “Warbird” is an absolute powerhouse of a song, with its pulsing, heart-wrenching rhythm and soaring chorus that practically begs to be sung at the top of your lungs. It’s the kind of track that gets your heart racing and asking to be screamed as emotional release, leaving you feeling invincible and ready to take on the world at its end. And then there’s “Two Worlds,” the lead single that hooked me from the very first listen. With its infectious melody and thought-provoking lyrics, it’s the kind of song that sticks with you long after it’s over, begging to be played on repeat.

But perhaps what I love most about “Ghosts & Girls” is its sense of authenticity. You can tell that Gottfried pours his heart and soul into every word, every chord, every nuance of the music. There’s a rawness and vulnerability to his songwriting that’s incredibly refreshing, like he’s inviting you into his world and laying bare all his hopes, fears, and dreams for you to see.

In the end, “Ghosts & Girls” is more than just an album – it’s an experience. It’s a journey through time and space, a window into the human soul, and a reminder of the power of music to transcend boundaries and connect us all. So even if you’re not normally a fan of rock music, I urge you to give this album a listen. Who knows, you might just discover something truly special along the way. And trust me, you won’t regret it.

Gwen Waggoner 

SHIV Releases “Wishing”

SHIV is a very creative bunch and you can sense the passion coming forth as a whole unit. The new single is titled “Wishing” and the listener will be engaged from the moment he or she hits play. With thoughtful lyrics, meaningful music and proud musicianship, SHIV packs a big punch with the new release.

SHIV is a rock band that is made up of three seasoned musicians and they are: Joshua Elyashiv, Eddie Willer and Elisa Seda. Together they are SHIV and what they have created is a sound that connects and has mass appeal. The new song “Wishing” is a perfect indication of that as SHIV shows up and shows out from start to finish.

As soon as “Wishing” starts up, I am hit with a simple yet moving tone that actually has a big impact overall. The single is lyrically strong and speaks volumes as SHIV is just “Wishing” for an end to war. Wars have been going on for generations and so the content on “Wishing” is something many listeners can identify with. The material is also personal, sensitive and relates to many souls out there. SHIV is performing with a purpose on “Wishing” with music that connects with people from all walks of life.

SHIV is playing at a high level on “Wishing” where everything seems to come together for the group. Musically, lyrically and vocally, SHIV delivers on all levels and checks all the boxes for quality control on the new single. If “Wishing” is this strong of a number, then I can’t wait to here more from SHIV in the near future!

https://shivband.com/
https://open.spotify.com/artist/46ZUIzKPAAOGH0HvjYBfty
https://www.facebook.com/SHIVbandofficial
https://www.instagram.com/shivbandofficial/

By Jimmy Rae

Sabrina Monique “Run Back” – Single

Meet Sabrina Monique, a rising talent whose latest single, “Run Back,” is a refreshing addition to the constellation of up-and-coming artists. With a blend of pop energy and personal lyrics, Sabrina Monique stakes her claim as a contender in the ever-evolving landscape of contemporary music.

“Run Back” pulses with a vibrant synth-pop energy that feels tailor-made for radio play. From the infectious beat to the catchy melody, this track is a testament to Sabrina Monique’s knack for crafting tunes that stick with you long after the music stops. 

In some ways, Monique’s core sound can be compared to other contemporary pop acts who are also making waves in the industry. Artists like Olivia Rodrigo and Tate McRae come to mind, with their introspective lyrics and infectious melodies, but there is clearly a more vibrant pop tapestry humming away beneath the single’s hood.

Much like these rising stars, Sabrina brings a sense of authenticity and depth to her music that sets her apart from the cookie-cutter pop acts of yesteryear.

Sabrina Monique’s upcoming debut album ‘It’s Not Me, It’s You’ (due out this year) is poised to be a defining moment in her career. With each new track she releases, she invites listeners on a journey through the highs and lows of love, loss, and self-discovery, proving herself to be a force to be reckoned with in the world of pop music. And with “Run Back” serving as just a taste of what’s to come, fans can eagerly anticipate an album that is as personal as it is universal, as emotive as it is exhilarating.

And let’s not forget about the production value of “Run Back.” From the shimmering synths to the pulsating bassline, every element of this track has been meticulously crafted to perfection. It’s clear that Sabrina Monique and her team have put in the time and effort to ensure that every note hits just right, resulting in a polished and professional sound that belies her status as an up-and-coming artist.

Gwen Waggoner 

Streaking In Tongues Release New Album

Few phenomena captivate the imagination quite like the dynamic energy of family acts. From the infectious harmonies of The Jackson 5 to the sun-drenched melodies of The Beach Boys, the familial bond has yielded some of the most enduring and beloved music of our time. Yet, amidst this illustrious lineage, a new chapter unfolds—one that is as innovative as it is invigorating. Slowly creating their own path through the modern indie scene, Streaking In Tongues is a father-son duo comprised of Ronnie and Elliott Ferguson, whose latest offering, Einstein’s Napkin, stands as a testament to the boundless creativity and DIY spirit that pulses through their musical veins.

URL: https://www.streakingintongues.com/

At its core, Einstein’s Napkin is a sonic odyssey—a journey through the labyrinthine corridors of the Ferguson’s collective imagination. Drawing inspiration from the poetic musings of “sometimes-bandmate” Marty Achatz, the album unfolds like a series of musical vignettes, each one a testament to the duo’s fearless experimentation and unwavering commitment to their craft. From the lilting guitars of “Lumbering Along Bluff Creek” to the jazz-inflected rhythms of “Timber Wolf With Hiccups,” Streaking In Tongues showcases a mastery of their instruments that is as awe-inspiring as it is infectious.

But what truly sets Einstein’s Napkin apart is its DIY ethos—an ethos that permeates every aspect of the album’s creation. From the inception of the melodies to the final mastering touches, Ronnie and Elliott Ferguson have poured their hearts and souls into every note, eschewing traditional studio methods in favor of a more organic and hands-on approach. It’s a testament to their ingenuity and resourcefulness, and one that pays dividends in the album’s overall aesthetic and feel.

Of course, no discussion of Einstein’s Napkin would be complete without mentioning the essential inclusion of saxophonist Patrick Booth. His evocative contributions add an extra layer of depth and texture to the album, elevating tracks like the aforementioned “Timber Wolf With Hiccups” and “God’s Deep, Wide Pocket” to transcendent heights. Together, the trio creates a musical synergy that is nothing short of magical, weaving intricate melodies and harmonies that transport listeners to another realm entirely.

In many ways, Einstein’s Napkin is a throwback to a bygone era—a time when musical experimentation was not just encouraged, but celebrated. It’s a nod to the “DIY pioneers” of the past—family-centric bands like Oasis and The Bee Gees—who blazed their own trails and rewrote the rules of what was possible in contemporary music. Yet, it’s also a testament to the enduring power of creativity and innovation, proving that even in today’s hyper-connected world, there is still room for bold experimentation and artistic expression, especially with family.

Einstein’s Napkin is a triumph of musical innovation and DIY spirit—a testament to the boundless creativity and ingenuity of Streaking In Tongues. With its infectious melodies, evocative arrangements, and unwavering commitment to experimentation, the album stands as a shining example of what can be achieved when artists dare to dream and forge their own path.

Rachel Townsend

The MC Type Presents New Single ‘John Wayne Gacy’ w/ Pen Pointz

The MC Type is a boundary-pushing musician who blends a strong sense of rhyming with a certain style of caustic humour. He is well-known for his inventive approach to music. Since he is so skilled in both, it would be incorrect to classify his music as humorous rap. He does a great job of satirising extreme backpacking and emo rap.

He makes a comeback with his most recent release, “John Wayne Gacy,” which features Pen Pointz and is taken from his most recent album, “Lucky Silverback.” Fans will be spellbound by The MC Type’s passion for what he does. His ability to craft lyrics that are aghast and compelling, while also exploring a laid-back hip-hop sound that is saturated in unabashed honesty. The song is an ode to his maturation as a songwriter, and if it’s any sign of what’s to come in the future, it looks promising.

The MC Type, a New Zealand-based artist, has a simple approach to songwriting: start with a theme and amazing songs with profound lyricism will follow. His songs are humorous and introspective, while at times leaving listeners thunderstruck. He creates luscious soundscapes with pulsating production that conveys upbeat rhythms.

The catchy tune and flabbergasting punchlines constantly leave listeners wondering, “Is this guy serious?.” All things considered, “John Wayne Gacy,” at just under four minutes, is an intriguing addition to his music discography. The song deftly combines challenging percussion and airy melodies with intricate instrumentals.

It could be more challenging for The MC Type to promote his songs as a result of such daring experimenting. In contrast to unfamiliar songs, listeners typically enjoy familiar sounds, but if you’re as daring a listener as he is in creating music, you could be in for a treat with “John Wayne Gacy”.

ONLINE:
https://themctype.com/
https://www.instagram.com/themctype
https://themctype.bandcamp.com/
https://www.youtube.com/@TheMCType
https://www.facebook.com/themctype

Danielle Holian

Electric Peace New Album ‘Shoot Me!!!’

Punk fans, take note! The garage punk rock group Electric Peace’s most recent album, “Shoot Me!!!” is the kind of album that gets stuck in your brain. You know, the kind where you start playing the album again before it really ends? This is what we currently own.

Carving out a reputation as one of the most exciting voices in the world of garage punk music, Electric Peace’s rich world-building has become the core of their creativity. Psychedelic, metal, progressive rock, ’60s punk, and vocals are all combined in this group, which is daring to say the least.

The album’s eight tracks transport listeners to a world of enthralling soundscapes and are a reflection of their creative and unrestrained attitude. With this unforgettable listening experience, they make a lasting impact.

Gritty and expansive riffs, booming drums, and high-octane vocals are woven together with expansive yet tenacious musicality to create an album that captures a nostalgic appeal with a modern twist.

The album exhibits their flexibility by skillfully fusing poignant and exuberant songs. With their creative sound and thought-provoking lyrics, Electric Peace is definitely a band to watch this year as they push the boundaries of the music business.

“Shoot Me!!!” highlights Electric Peace’s enthusiasm and artistic development in addition to showcasing their musical prowess. Their ability is on full display in this album, which blends in seamlessly with their whole career.

Now go ahead and spin “Shoot Me!!!” to give your week a lift. You shouldn’t pass up Electric Peace’s greatest offering. They are a remarkable example of creative expression.

https://www.electricpeace.band/

Danielle Holian

Eric Ezra Releases ‘Amphibian’

Eric Ezra is based in Chicago and has a knack for creating instrumental synth rock with a twist. Ezra’s latest release is slithering its way into your speaker box as ‘Amphibian’ is on the loose and on the hunt for new listeners. If you’re in the mood for something completely different music-wise, then I highly recommend taking a listen to ‘Amphibian’ by Eric Ezra.

The record kicks off with the title track, “Amphibian”, that has an otherworldly presence and an industrial-type sound. Raw energy is being poured out here musically by Eric Ezra as “Amphibian” offers the perfect bite overall. Next, don’t be upset because it’s time to get “Mad”. This metallic noise is penetrating your ear canals on “Mad” and drilling its way into your memory bank whether you like it or not. Track three, “Automation”, is robotic to the core, so prepare for a strong force battling for a spot on your playlist. The following number, “Mosquito”, is buzzing with mystique as intriguing notes fly past your ears. A blast of stinging sound swarms around you on “Mosquito” and the only cure is to take a full, attentive listen. Get ready to “Spring” into action and enjoy the ride! This track will get you moving to the beat and put some extra “Spring” in your step. The following number is titled “Captured” and you will want to grab this heavy-hitting song by the horns and not let go. Eric Ezra is performing with a sense of authority on “Captured” and this comes across loud & clear. Don’t get stuck in the “Turbine”; rise above and soar along to this energized track that has an eerie effect. Track eight, “Death”, supplies an electrifying atmosphere that won’t kill you, but will only make you that much stronger. Eric Ezra delivers a powerful performance on “Death” and it’s safe to say he killed it on this set. On track eight, “Combat”, I can’t help but think of the classic video game “Mortal Kombat”, so that means it’s time to fight! Battle your way through musical jungles on “Combat” and become a tough audience and listening soldier. The “Tides” are rolling in by the end and Eric Ezra is finishing strong. Ride through the cool sound waves and soak up all the salty notes that “Tides” has to offer.

‘Amphibian’ was released under Stay Venomous Records and offers something for everyone. Eric Ezra has created 10 original tracks here and each one is different from the next. Enjoy the creative mix that coils up and wraps itself around your eardrums. Eric Ezra certainly has got my attention with ‘Amphibian’ and I highly suggest checking out the album. JDR

https://www.facebook.com/ericezraband

https://twitter.com/EricEzra4

https://www.instagram.com/eric_ezra_band/

By Jimmy Rae

Galactic Tide Featuring Andy Timmons ‘The Haas Company Vol 1’

Hass Company delves into wild, feral energy with “Galactic Tide, Featuring Andy Timmons Vol. 1.” The interplay on the album has an inherent fierceness cutting to the absolute bone. Unhinged power flows through the guitar as a screaming classic rock psychedelic romp smashes its way through everything. An array of different genres are woven together. Funk, the blues, classic rock, and more are brought into the fray. Without saying a single word, the tracks chart a heavy path. Volume is an absolute must, for this wall of sound physicality feels pitch-perfect.

The Haas Brothers: Volume 1

“Leather Pajamas” have a stately muscle; they waste no time racing into it. By far, the album’s highlight is the vast, adventurous aspect of “1979,” which incorporates so much into the space, allowing the experience to sprawl. Drums feel gorgeous as they pummel everything with “Good Lieutenant.” Tapestries come through with the sheer tenor of “Stockholm Syndrome” as different guitars soar towards the sky. With the mournful aspect of “Ballad For Andy,” the song spools slowly and meditatively. Athletics have the power to be seared into the mind with the bombast of “Magic Log.” Nice jazzy licks in “Galactic Tide” feel gorgeous. “Tower Of Babel” has a space rock element, wafting into the sky. Synthesized aspects of the work and the saxophone finale end the album with “Arrow Of Time.”

“Galactic Tide, Featuring Andy Timmons Vol. 1” holds nothing back, as Haas Company goes completely unhinged with their attitude.

https://thehaascompany.com/home

THE BRUCE LOFGREN GROUP ‘EARTHLY AND COSMIC TALES’ Out June 1, 2024

A postmodern pop blended with chamber classical gives the Bruce Lofgren Group a unique cadence on the leisurely “Earthly and Cosmic Tales.” The arrangements in the right light touch upon the sheer brilliance of Stereolab’s introspective style. Further along, they go for an approach that recalls the Penguin Café Orchestra. Lots of different layers are neatly woven together as graciousness is shown within the melodies. Rhythms go for the natural, and the pacing has an inherent charm that makes each element shine. Throughout the album, an entire narrative takes shape, all without saying a word.

The soothing tenor of “Summer Passage” sets the tone for the album, evoking awe. “Fields Of Praise” has lovely, lilting strings that pop with color. A whimsical approach runs through the strength of “Wind Rider.” On “String Theory,” the piece goes for a contemplative ode, with the meditative nature of the work cycling through with graciousness. Chilled-out vibes rush through the gorgeousness of “Tripsy,” where a midcentury party atmosphere reigns supreme. Gingerly walking about “Orange Crate Art” features a genuine skill. Like a summer evening outing, “Red Shift” has an ornate, sophisticated sensibility that ties it together. Vibraphone rings out into the distance on the neat jam of “Creepin’.” A Beach Boys fervor radiates throughout “Spend The Night.” Gorgeous cadences tie together with the fantastic, low-key “Desert Flower.”

“Earthy and Cosmic Tales” shows the gorgeous interplay of the Bruce Lofgren Group in delivering a robust and powerful sound that reverberates, giving a living, breathing space.

http://www.brucelofgrenmusic.com

Irish Rockers Colm O’Mahony & The Hot Touches drop New Single “Damage”

I guess, even this far down the line, if you are a rock band from Ireland and following in the blues-infused, kick-arse rock tradition, then two names are still going to loom large above you. Thin Lizzy and Rory Gallagher. Even in the more traditional folk-lands of Kerry, those two names will resonate like Celtic gods for many.

So it doesn’t hurt that you can hear the echoes of both in the music of Colm O’Mahony & The Hot Touches. With hints of Gallagher’s hard blues and the melodicism of early Lizzy intertwined with more contemporary sounds, Damage sits at the end of a very well-respected sonic family tree.

Guitars can be both raw and rythmic; the riffs blend muscle and melody, basses pulse, and beats propel, and the vocals are just knowing and slightly world weary enough to act as the icing on this foot-on-the-monitor, no-nonsesne slice of rock.

But they can take those timeless, classic sonic strands and bring them bang up to date, via more alternative deliveries that is the excellent (hot) touch here. And it is this ability to call on the past whilst reinventing it just enough, this ability to be both fresh and familiar at the same time, that is going to make them such a hot property.

https://www.thehottouches.com/
https://www.facebook.com/ColmandTheHotTouches/
https://www.instagram.com/colmandthehottouches/

The Heard Eye Presents New Album ‘Funkalypse’

Beginning as a remote band during the global pandemic of Covid, The Heard Eye, consisting of Paul Schneider (vocalist/trumpeter), Atma Anur (drummer/producer), and Hannes De Kassian (guitarist), have dropped their debut album, Funkalypse.

The Heard Eye, who has been teasing songs for the past several years, has released a gripping musical album with a lovely combination of 11 really grooving tracks that will make you want to dance. Their EP, which received hundreds of spins and dozens of additions, is also part of this offering.

The band combines energetic rhythms, vocals that soar, and tenacious nostalgia with their musicianship. Funkalypse, is a cross-genre voyage that transports listeners to a world of intriguing soundscapes. Their discography reflects their inventive and free attitude. With this unforgettable listening experience, they make a lasting impact.

The Heard Eye are an accomplished musical flavouring band whom combines deep-rooted jazz with lively, dynamic funk and rock elements, as well as elements of Latin and world music, to create their distinctive sound.

Funkalypse, is packed with infectious tunes like ‘Say It With The Night’, ‘Do Whatchu Be’, Boomerang’, and ‘Vimana’, the endearing selections highlight their musical prowess and ability to put together a superb collection of timeless songs.

Prepare to lose yourself in The Heard Eye’s compelling melodies and enticing sounds. Get our music directly at your fingertips by streaming or downloading their newest songs for on-the-go listening. They are incredibly impressive works of art showcased on, Funkalypse.

ONLINE:
https://theheardeye.com/
https://www.facebook.com/theheardeye/
https://www.youtube.com/@theHeardEyeVideos

It’s evident right away that The Heard Eye are serious about their work. From start to finish, all 11 of the tunes have an appeal to listen to. So, what are your thoughts? Put on your headphones and turn up the music! Funkalypse’s infectious energy and upbeat songs will make a slight positive impact on your life.

Danielle Holian

Benji Kaplan ‘Untold Stories’ Out May 1, 2024

Benji Kaplan proves to be an exceptional guitarist with the gleeful “Untold Stories.” His work feels vibrant, tapping into a long tradition of gorgeous expressiveness. The nods to Antonio Carlos Jobim’s mixture of jazz and folk feel just right. Rhythms form out of these explorations. A focus on melodic expressiveness endears the sound to the listener, showing how close jazz and folk traditions are, an often-overlooked part of both traditions.

Elegant gestures abound on the stately grace of “Untold Stories,” where the theme reiterations loop around, constantly returning stronger. “Xaxado em Alegria” feels drenched in pure sunshine. The chords have a bluesy speed on the reflective “Oblivionism,” as the shifts feel unpredictable. Breezy with the radiant guitar work is the pastoral “Streams Hills and Forests.” “An East Side Story” echoes into the infinite with a tender, romantic tone. Fragile “Choro de inconsistência” possesses a sense of longing, with the song evolving in a low-key, sensitive fashion. Subdued energy pours out of “Illusion’s Waltz.” Confidence emerges out of the galloping groove of “Stride and True,” with the song going for this sense of eternity. With a spark of the unexpected is the sheer attitude of “The Vigilante,” which closes the album off.

‘Untold Stories’ is a testament to Benji Kaplan’s skill. It presents a polished production that still captures the raw intimacy of a stripped-down, bare-bones approach. This unique balance draws the listener in, creating a connection to the music that is both immediate and profound.

http://www.benjikaplan.com
https://tratore.ffm.to/benjikaplan8

Dave Schumacher & Cubeye Present ‘Smoke In The Sky’

Chilled out and laid-back, Dave Schumacher and Cubeye create an elegantly executed atmosphere with “Smoke In The Sky.” The horn work gives the album a robust flavor. Due to the tactile percussion, the rhythms feature a Latin flavor, going a little outside the usual. The production adds to the majesty, for a crystal clarity feels genuinely profound. Best of all, the arrangements have such depth, allowing for multiple layers to collide yet retain an airy disposition. It is hard to pull off, yet the group does so with ease, as every player is ideally placed to implement this thoughtful strategy.

https://daveschumachercubeye.bandcamp.com/album/smoke-in-the-sky

Grooves start the sound on a high note with the careful buildup of the opener and title track, “Smoke In the Sky.” “You Know It’s Wrong” has gorgeous piano chords. The drum kit is replaced with more unconventional means while retaining that stylish coolness. Saxophone begins “Caridad” with a virtual celebration coming into the fray, allowing great joy to burst onto the scene. On “(No More) Smoke In The Sky,” they slow things down, letting every flourish reverberate. “El Dilema de Chegüi Metralla” lets things rip and get particularly wild. Basslines roll through with ease on “Cal Massey.” “Walk Spirit Talk Spirit” lets a swinging mood take hold. “Poinciana” ties everything together in this glorious way, with a fantastic journey that feels modern and classic at the same time.

Dave Schumacher and Cubeye deliver a profoundly soothing, serene sense of meditation with “Smoke In The Sky.”

https://www.instagram.com/daveschumachermusic/

California ™ ft. Les Fradkin New Single ‘Come Fly To Fall In Love’

Are you ready to embark on a musical journey through time? In the realm of music talents, California ™ is a force to be reckoned with.

California ™ is a former recording artist of Laurie Records who is currently signed to RRO Entertainment. With high achievements in the ‘70s and ‘80s of four chart hits, and eight number ones on Indie Radio in 2022 as co-writers and producers, California ™ returns with new material ‘Come Fly To Fall In Love’ featuring Les Fradkin.

https://californiatm-featlesfradkin.bandcamp.com/track/come-fly-to-fall-in-love

This track, featuring the collaborative talents of Les Fradkin, is a testament to California ™ ability to showcase their promises to be a celebration of creativity, diversity, and innovation in music. It’s a beautiful song with elegant shimmer and poignant vocals. The overall arrangement creates an atmospheric soundscape that is consistent. The intriguing tune blends sunshine pop, Western, and Eastern flavours.

In the midst of the musical offering, ‘Come Fly To Fall In Love’ unfolds their distinctive lyrical prowess. The chorus encapsulates the sentiment mix of loving and intense emotions to be with someone you love with dreamlike tones and immerseful instrumentation. The track bursts a sonic explosion that is fueled with a dynamic contribution showcasing layers of propelling impacting listeners with this special listen.

https://www.facebook.com/lfradkin/
https://lesfradkin.com/
https://open.spotify.com/artist/6k4xzlaWTGPL8KuYFNuma3

From the get-go, it’s clear that California ™ means business. They uniquely approach their music and are not specifically influenced by anyone in the current music scene. So, what do you think? Put your headphones on and boost the volume! ‘Come Fly To Fall In Love’ will brighten your life a little bit with their contagious enthusiasm and timeless melodies.

Danielle Holian

Gary Palmer New Single ‘Movin On’

With a lyrical approach to the saxophone, Gary Palmer embodies a crystal cool on the excellent “Movin On.” Funk, rock, jazz, and pop merge. The song has a laid-back, reflective stance that continues throughout the track. By allowing so many different elements to interact, what happens is a layered, nearly psychedelic approach. Vocalizations on the periphery of the piece add to the communal quality. Swirling about in a delirious haze, a playfulness exists within the atmosphere, from the gorgeous keyboards that intertwine to the rhythm that remains slow-moving in its gait and downright luxurious.

A quiet opening begins the song. From there, the rest of the piece comes into the fray with such careful consideration. The shift from instrument to instrument gives the track a conversational approach. Lots of the song has this dialogue, bringing aspects of keyboard and saxophone talent into the fray. For the journey, it remains primarily vocal-less. With the mellowed aspect, it has a graceful gleam. By sidestepping trends, the song has a classic spirit, as if it could have been from anywhere in the last several decades. They engage in this gracious attitude, as the song has some infectious hooks that harken back to Miles Davis’s funk-laden explorations of the 70s; the crystal clarity and sense of play are stunning to behold, from beginning to end.

https://garypalmersax.com/
https://twitter.com/garypalmersax

The funky, sinewy sound of “Movin On” shows Gary Palmer at the peak of their powers, with a multifaceted tour-de-force.

“Curse” From Universal Dice

Electric Peace Presents ‘Shoot Me’

Alert, punk enthusiasts! “Shoot Me,” the most recent song from Electric Peace, is the sort of song that gets stuck in your head. You know, the sort
where you find yourself listening to the music on repeat even before it ends? This is what we have at hand.

“Shoot Me” begins with a harsh electric guitar riff, which is followed by a bizarre, scratchy voice. Even though it’s 2024, the workout sounds like something from the ‘60s. But it seems like this song is trying to recreate psychedelic music for listeners in the present day.

With the intention of keeping up their good work, Electric Peace delivers “Shoot Me” which is driven by captivating percussion, vociferous voices, and melodic strings, the listener is guided through this captivating composition. The band produced an enticing fusion of sounds, with faint overtones of punk and rock augmenting the song with flavorful instrumentation.

The sound design of this tune is purposefully disjointed. The intricately mixed accompaniment is nearly overshadowed by the vocals. Both the singing and the music have a big impact on the song’s overall tone. In the middle of the song, there’s a really nice slide guitar solo.

The punk rockers’ music is driven by anarchy, which is present in both their lyrics and themes as well as their musical style, as they resist social convention and the establishment in their environment. Electric Peace are showcasing themselves as a significant musical force. Their most recent song is an upbeat explosion that demonstrates their seamless evolution while concentrating on a particular sound.

ONLINE:
https://www.electricpeace.band/
https://www.youtube.com/@electricpeace6519

Go ahead, give your week a boost, and start spinning “Shoot Me.” It’s something exceptional that Electric Peace is offering, and you don’t want to sleep on it. I promise you, press the play button below and enjoy the music. They are an unforgettable instance of artistic expression.

by Danielle Holian

The MC Type Presents “Full Life Crisis (feat. Sage Francis)”

The MC Type is a native of Seattle, currently residing in New Zealand, who combines a strong sense of rhyming with a particular brand of caustic humour. His skills in both genres are so diverse that it would be inaccurate to categorise his music as comedic rap. His satirical portrayals of extreme backpacking and emo rap are spot-on. He has been nailing it in the humour department.

The Mc Types’ rap group, The Let Go, has a successful career with national rap tours and opening for various artists such as Prof, Grieves, Mac Lethal, Louis Logic, and more on the road. Signed to Camobear Records and Goon Trax, the group charted as high as 19 on CMJ and received a song placement on MTV’s The City. After a decade in TV commercial writing, The MC Type teases the release of his forthcoming album, Lucky Silverback, which serves as a giant middle finger to cancel culture and a battle cry to those who want to restrict the topics on which we may now make jokes.

Ahead of the album release, he returns with his most recent single, “Full Life Crisis,” featuring Sage Francis. The MC Type demonstrates his ability to write lyrics that are both captivating and evocative, while also delving into a relaxed hip-hop offering that is drenched in unapologetic honesty. The song is a tribute to his songwriting maturity, and if it’s any indication of what’s to come from him in the future, it’s looking good.

The MC Type has a straightforward approach to music: choose a topic, and compelling songwriting with deep lyricism will come from there. He creates compositions that are both contemplative and globally relatable. He skillfully crafts lush soundscapes with throbbing production that smoothly carries lively rhythms. Unveiled from his forthcoming album, Lucky Silverback, “Full Life Crisis,” is a slick and progressive song with a warm flow that stretches over a dynamic production. He also maintains an atmosphere optimistic throughout the uplifting offering.

Listeners are always left thinking, “Is this guy serious?,” because of the tuneful melodies and exquisite punchlines. The forthcoming 15-track compilation dives into the hilarious, laugh-out-loud hardcore satire and killer ‘90s boom-bap sounds from Canadian artist Pen Pointz. A diss track about one of his dead homies, the Mississippi Riverboat Brawl, the “birds aren’t real” hypothesis, erectile trouble, and, of course, feces are among the subjects covered.

ONLINE:
https://themctype.com/
https://www.instagram.com/themctype
https://themctype.bandcamp.com/
https://www.youtube.com/@TheMCType
https://www.facebook.com/themctype

Just short of four minutes, and with all things considered, “Full Life Crisis” is a fantastic addition to his repertoire. Most of the time, his easygoing flow is effective, but occasionally, he highlights some noticeable emotional intensity. Because the content is honest and relevant, listeners will appreciate the subjects that most interest them.

Danielle Holian

‘To the River’ EP by Dosten

Its gilded climb into impenetrable melodic catharsis is undeniably a short and sweet one, but make no mistake about it; “My Sweetheart” is not a post-pop track sporting some added lyrical depth. On the contrary, much like its four counterparts in Dorsten’s new EP To the River, this is a work of duality, blending the best elements of heavy pop and, ironically enough, progressive folk of a leaner variety than the mainstream usually supports. – Alex Dorsten mans one end of the controls while his sister Sophie Dorsten presides over the other, but it soon becomes apparent that these two players don’t need a lot of frills to make big music sound even bigger than it already would have. If anything, the lack of bombast in this mix makes their progressive edge all the more seamless, ultimately fostering one of the most fluid Americana records I’ve listened to in the past two years inside of a twenty-minute running time. Say what you will about the surreal folk scene as it stands today, but this is one twosome that’s taking its aesthetics to a different level altogether.

The most comparable track to “My Sweetheart” in this EP in terms of calculated construction is “To the River” itself, but there are no two songs on this record that sound precisely the same. I don’t get the feeling that Dorsten is particularly fond of formulaic songcraft, and their willingness to step outside of the lines and flirt with elements of postmodernity in “Vernazza” and the lyrical substance of “Chewing Gum” confirms as much.

It’s a shame that there aren’t more bands in the southwest that are as eager to experiment with their sound as this pair is, but this could be the primary reason why their EP sounds as definitively different from the competition as it does this season. They’ve still got room to grow into this blueprint, but what they’re already doing with this chemistry is worth marveling at on its own, mostly because it suggests a rearrangement of progressive aesthetics that could bring the genre into the 21st century in a way a lot of critics were not expecting at all.

From the moment we get started in the haze that precludes “Losing It,” it’s obvious that we’re going to be listening to some powerful songwriting and performing in Dorsten, and while I’m normally a lot more cautious when it comes to similar EPs, this one is simply too easy to get into. Contemporary Americana is inarguably an acquired taste being that it’s often comprised of theatrical indulgences that don’t make a lot of sense in the typical pop format; that said, the way Dorsten is using it in this record is something to be inspired by, and it represents a hybrid move akin to what the surreal pop and crossover singer/songwriter artists have been accomplishing in their circuits over the past couple of years.

Gwen Waggoner

Spike Polite & Sewage Presents ‘Punk Not Dead EP’

The death of punk rock, like rock in general, has long been predicted to be imminent. It’s only a matter of time, they’ve told us for a long, long time, when punk will breathe its final breath. That spikey hairdo will lose its spikiness and fall at the sides of the head. Thus when Spike Polite & Sewage (a great name for a punk rock band!) prove that they – and the genre – are alive and well.

The EP’s title song is a fast blast of rock and roll energy. Featuring a male and female vocalist, this expression of life sounds like old school punk. As though pop-punk never happened. This was when punk rock was more of an attitude than any particular sound. It begins with a buzzsaw electric guitar riff that sounds like those great guitar sounds created by X’s Billy Zoom. Of course, Zoom’s guitar parts were/are more influenced by rockabilly. Spike Polite & Sewage, on the other hand, is much more of a hard rock/metal sound. Another notable aspect found in this track is how there is – for lack of a more apt description – a commercial for the band’s music, even giving out the group’s Solid Bass Records record label information. Is putting a commercial at the tag end of your song a truly punk thing to do? Many of the original punkers were especially anti-commercial. They were against the system, and in the case of The Clash, even outspoken communists. One can’t imagine Mick Jones and Joe Strummer putting an ad onto one of their songs.

“What Happened (to the Punk Rock)” follows a similar musical pattern. This is hyperactive, urgent rock & roll. These are not so much songs as they are noisy statements. Clearly, these musicians care about the state of punk music. Most punk bands worth their salt have a punker than thou attitude, which one can pick up from this track. One has to wonder, however, when many of the original punk rockers are still at it, gray hair and all, about the state of the genre. Didn’t Neil Young tell us it is better to burn out than it is to rust? Shouldn’t the old school move aside and make way for the young breed, like Spike Polite & Sewage? Then there is the last track, “Twitter is the Death Machine,” which is about a social media platform that actually is dead, and is now called X.

Websites:
https://spikesewage.com/
https://solidbassrecords.com/spike-polite-sewage/
Facebook: https://www.facebook.com/Spikesnycpunkrock/
Instagram: https://www.instagram.com/spikepolite_sewagenyc/?hl=en

This act is not ‘polite,’ but nor is its music ‘sewage.’ Rather, it is a celebration of the original punk rock spirit. Bands like Green Day are – let’s face it – pop-rock groups, at best. Many of today’s ‘punk’ acts just don’t seem like actual punks. Spike Polite & Sewage, on the other hand, come off as snotty brats that may just break some stuff before they’re done. If you remember the golden era of punk, this music will fill you with satisfying nostalgia. If you weren’t there then, well, listen to this music and feel jealous that you may have been born in the wrong era. Whatever you do, though, play this music really loud.

-Dan MacIntosh

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